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MEL 26 02 Sylvia Wilson & Natalie Scholtz

Open a larger version of the following image in a popup: Sylvia Wilson, Mum, The Boss, My Daughter and the Wanti (Woman, Girl), 2025

Sylvia Wilson

Mum, The Boss, My Daughter and the Wanti (Woman, Girl), 2025
Acrylic on canvas
75 x 45.5 cm
Martumili Artists 25-473
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This work is one of a series by Sylvia Wilson entitled ‘Mum, The Boss, My Daughter and the Wanti (Woman, Girl).’ As Sylvia explains, the work is both a depiction...
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This work is one of a series by Sylvia Wilson entitled ‘Mum, The Boss, My Daughter and the Wanti (Woman, Girl).’ As Sylvia explains, the work is both a depiction of, and attribute to, the women in her family heritage.
The Martu term for family, walytja, encapsulates a broader idea of relatedness that permeates every aspect of life. The Martu foursection kinship system determines a person as belonging to either the Purungu, Milangka, Panaka or Karrimarra skin group, and was created by the Jukurrpa (Dreaming) ancestors.
This system not only defines relationships, it also establishes a framework for expectations and obligations, and extends the importance of family far beyond mere blood or marriage ties. Family is not limited to blood connections; it encompasses all relationships within the entire community, forming a network of relationships that was crucial to survival during the pujiman (traditional, desert dwelling) era, and that remains fundamental to Martu life today. The kinship system allows everyone to know what expectations one person can have in relation to another, and means that familial terms and relationships are present between any two individuals, whether or not they are related by blood.
© Martumili Artists
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cbOne Gallery

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